Different styles of abstract work have brought emerging and seasoned artists together, says Adhvika Agarwal, who has curated the Rang Mirage Art Gallery’s latest exhibition, “Abstract Alchemy: A Fusion of Form and Color.” This innovative display, which features the works of nine artists, showcases a wide range of abstract art. Each canvas, though distinct, is harmoniously connected through the non-representational art that defines the exhibition.
Among the many captivating pieces is “New Beginning” by Mahesh M Karembele. Adhvika describes this artwork as evoking the sensation of standing on a seashore, engulfed by a profound and vivid sunset that spans the horizon. “Another artist might have an entirely different interpretation of the same painting; that’s the magic and beauty of abstract work as an art form,” she adds. This variability in perception underscores the compelling nature of abstract art, fostering a unique connection between every observer and the artwork.
Bhola Rana, another prominent artist in the exhibition, draws inspiration from his native Jharkhand. His painting, “Black Diamond,” uses red and black hues to symbolize the frequent fires in coal mines, a grim reality that often results in the loss of workers’ lives. Rana’s minimal yet powerful color palette provides viewers with a stark imagery of non-figurative art, evoking a deep emotional response to his interpretation of industrial hazards.
Rana’s poignant exploration of urbanization extends to another of his works, where he uses acrylic on a red canvas to illustrate the relentless march of development not just on land, but beneath the oceans as well. This constant process is depicted through minimalistic yet potent imagery, capturing the crude beauty and raw energy of non-figurative art.
Renu Jain takes a different approach with her piece, “Glimpse of Nature,” employing mixed media on acrylic through a reverse painting style. “What you paint as an artist on one side is not what the viewer sees from the other.
. Every painting creates multiple layers of understanding,” she explains. Her work comments on the continuous urbanization encroaching upon natural surroundings, transforming various living spaces in nature into realms of magical artistic expression.
The process of creating abstract art, as described by Keerti Agarwal, is not merely about random brush strokes. “It involves days or even months of hard work behind a painting that may initially seem like a mere splash of color to many,” she says, emphasizing the dedication and effort that underpin abstract creations.
The exhibition was inaugurated by artist Nawal Kishore and curator Manisha Gawade. Kishore highlights the significance of art and culture in today’s turbulent and negative times, stating, “There is value in abstract art because it fosters creativity and aids in healing.” He likens abstract art to the enigmatic yet soothing call of a cuckoo, which, despite being incomprehensible, brings serenity to the listener’s ears.
The exhibition features a notable array of artists, including Bipin Roy, Deepak Sonar, Vivek Nimbolkar, Kishor Roy, Gopal Namjoshi, and Rajesh Baderia. Each artist brings their unique interpretation and voice to the collective display, further enriching the tapestry of non-representational art on view.
Adhvika Agarwal sums up the exhibition by noting, “Abstract art allows a myriad of emotions to be depicted without using a distinguishable form. It’s this universality and open-endedness that makes each piece in the exhibition resonate with a diverse audience.”
For art enthusiasts and those interested in exploring the multiplicity of human emotions and experiences through abstract forms, “Abstract Alchemy: A Fusion of Form and Color” offers a compelling and thought-provoking journey. The exhibition is open at Rang Mirage Art Gallery, located at A – 58, Central Avenue, Sainik Farms, until June 25th, from 11 am to 7 pm. This vibrant and emotionally charged collection is an unmissable event that celebrates the convergence of various abstract styles, inviting visitors to immerse themselves in the boundless world of non-representational art.
