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Meendum Thanikudithanam: A Comedy Revival of Tamil Theatre Tradition


The play Thanikudithanam garnered widespread acclaim in the 1970s, cementing its place as a classic in the annals of Tamil theatre. Fast forward to present times, JC Creations breathed new life into this iconic narrative with their rendition, Meendum Thanikudithanam, an enthralling production recently showcased by Sri Krishna Gana Sabha as part of their theatre festival. Directed by V P S Shriraman, this adaptation has not only captivated audiences but also secured the Best Comedy Play award at this year’s Kodai Nadaga Vizha, organized by Kartik Fine Arts.

The play opens with an archetypical scene set in a middle-class household, immediately striking a chord with the audience. The elderly father, Sundaresan, is engaged in a mundane discussion about the day’s menu with the cook, Seenu. Concurrently, his daughter Kamu and her husband Ganesha are immersed in their morning routines, providing a seamless introduction to each character and their distinctive personas. This initial scene adeptly establishes the familial environment, drawing viewers into the domestic world that will serve as the backdrop for the unfolding drama.

As the narrative progresses, the focus pivots to the central plot of finding a suitable bride for the young Hari, Sundaresan’s son. The family’s earnest efforts to navigate through matrimonial websites and shortlist prospective candidates are portrayed with a blend of humor and satire, capturing the nuances of contemporary matchmaking practices. The camaraderie and banter among the family members, interspersed with witty dialogue, keep the narrative engaging and lively, ensuring the audience remains invested in the storyline.

Enter Kamali, the prospective bride, and her family comprising Madhuraveni, her overbearing mother, and Krishnapriyan, her submissive father. The interactions between the two families set the stage for the post-marital turbulence that lies ahead. The portrayal of Madhuraveni’s domineering character and her meddlesome nature creates a believable tension, one that many viewers might recognize from personal experiences or cultural tales.

The newlyweds’ initial joy and tranquility are soon disrupted by Madhuraveni’s incessant interference.

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. This persistent meddling forces the young couple to consider “thanikudithanam” — setting up a nuclear household away from the extended family — a desire that adds a fresh twist to the narrative. Meanwhile, Hari’s stipulations regarding their independence add another layer of complexity, sparking a dilemma that keeps the audience on their toes.

What makes Meendum Thanikudithanam particularly appealing is its simple yet effective dialogue and relatable scenarios that resonate with everyday experiences of a middle-class family. These elements sustain audience interest, rendering the play both entertaining and thought-provoking. However, it is worth noting that the final act, a significant climax that could have delivered a more potent message, falls somewhat short of expectations. The actors struggled to convey the profound essence of the concluding scenes, a minor blemish in an otherwise stellar performance.

The production’s appeal could also benefit from enhanced attention to set design and character development. Richer, more elaborate sets would offer a visually compelling backdrop, adding to the overall ambience of the play. Likewise, deeper characterisation could help the actors deliver their roles with more conviction and depth, thereby elevating the narrative’s impact.

Despite these minor critiques, Meendum Thanikudithanam manages to hold its ground as a commendable revival of a classic play, infusing it with modern sensibilities while retaining its original charm. The exemplary performances by the cast, particularly their masterful handling of comedic timing, coupled with V P S Shriraman’s directorial acumen, ensure that this play remains a delightful experience for theatre aficionados.

In conclusion, Meendum Thanikudithanam stands as a testament to the enduring appeal of well-crafted comedy plays. It not only pays homage to a timeless piece of Tamil theatre but also brings forth the contemporary relevance of its themes. Its success at the Kodai Nadaga Vizha and the positive reception by audiences underscore the vitality and vibrancy of Tamil theatre, reaffirming that good storytelling, when delivered with humor and heart, never goes out of style.

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