At the 70th National Film Awards, celebrated actor and director Rishab Shetty achieved a remarkable milestone with his film “Kantara,” earning twin National Awards. The film not only won Shetty the Best Actor award for his electrifying performance but also received the Best Popular Film Providing Wholesome Entertainment honor. These accolades are seen as a significant leap for Kannada cinema, propelling it to new heights on the national stage.
Speaking at a press conference immediately after receiving his award on August 16, 2024, Rishab expressed his immense gratitude and disbelief. “In the film industry, they say one Friday can change everything. In my case, one film (Kantara) has changed everything,” he remarked, reflecting on the transformative power of his work. “I continue to believe that Kantara wasn’t made. It just happened,” he added, signifying the organic success story behind the film.
The buzz leading up to the awards included reports that Malayalam cinema superstar Mammootty was also in the running for the Best Actor award. Addressing this, Shetty humbly responded, “He is a legendary actor. I am blessed to have been in the race with him.” This acknowledgement not only underscores his respect for fellow artists but also highlights the competitive spirit within the industry.
This is not Shetty’s first tryst with the National Film Awards. He previously garnered acclaim for his third directorial venture, “Sarkari Hiriya Prathamika Shaale, Kasaragodu” (SHPSK), which won the award for Best Children’s Film. “I only played cameos in my first three directorials. Kantara was the first film in which I essayed the lead under my direction. So this award feels special, especially when I look back at the days when I had begun to lose interest in acting,” Shetty shared, providing insight into his journey and the emotional significance of his latest achievement.
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Adding to the Kannada cinema’s accolades, “KGF: Chapter 2,” starring Yash and directed by Prashanth Neel, also won two prestigious awards. The period action-drama was honored as the best feature film in Kannada, while the Anbariv masters clinched the Best Action Choreography award. This sequel follows the success of “KGF: Chapter 1,” which had earlier won awards for Best Special Effects and Best Action Choreography in 2019. Both chapters were produced by Vijay Kiragandur under his banner Hombale Films, which also produced “Kantara,” marking a successful collaboration in Kannada cinema’s landscape.
The event also shone a spotlight on veteran editor Suresh Urs, known for his esteemed work with filmmaker Mani Ratnam in notable films like “Bombay” and “Dil Se.” Urs emerged victorious in the Non-Feature Film section, winning Best Editing for the short film “Madhyantara.” His award further cements his legacy in the Indian film industry and underscores his influential role in shaping cinematic narratives.
Rishab Shetty’s achievements with “Kantara” are being hailed as a watershed moment for Kannada cinema, reflecting a broader trend of regional films gaining national recognition and appreciation. This moment of triumph is particularly resonant considering Shetty’s introspective comments on how he almost gave up on acting. His journey reinforces the idea that perseverance and passion can lead to remarkable outcomes.
The success of “Kantara” and “KGF: Chapter 2” illustrates a renaissance in Kannada cinema, characterized by high-quality production, compelling storytelling, and powerful performances. These films have not only captivated audiences locally but have also made significant impacts on a national level, challenging preconceived notions about regional cinema. The accolades they have received serve as both recognition of their excellence and inspiration for future filmmakers within the Kannada film industry.
As the dust settles on the 70th National Film Awards, the celebrations continue, marking a new chapter for Kannada cinema. Rishab Shetty’s triumph is a testament to the transformative power of cinema and the boundless potential of regional films to leave a lasting impact on the national cinematic landscape. His heartfelt assertion, “one film can change everything,” resonates deeply, encapsulating the spirit of hope and endless possibilities that define the world of film.
