As waves of applause reverberate through venues across India, Atul Kumar’s thought-provoking play, “Taking Sides,” prepares for its debut performance in Chennai. Based on the complex history surrounding Wilhelm Furtwangler, the renowned conductor of the Berlin Philharmonic often labeled as “Hitler’s favorite conductor,” this theatrical production brings to light the murky waters of morality and loyalty during the oppressive regime of Nazi Germany.
“Taking Sides” delves into the tumultuous phase following World War II, focusing intently on the post-war interrogation of Furtwangler by Steve Arnold, a US Army Major, and former insurance investigator. Here, in this interrogation room, the lines of right and wrong blur, creating a dramatic narrative that questions the allegiance of an artist during dark times. Furtwangler, portrayed as a character loyally clinging to his art, faces intense scrutiny regarding his ties, real or perceived, to Nazi authorities.
In a recent conversation, director Atul Kumar shared insights into his creative journey with “Taking Sides,” explaining that the contemporary relevance of the play prompted its inception. A few years ago, Kumar stumbled upon Istvan Szabo’s film adaptation, which sparked his interest in the original script. “The dynamics of the society we live in now, sadly, make the script extremely relevant,” Kumar reflected, underscoring the link between historical fascism and today’s political climate.
The production, born out of the global pandemic, broaches the delicate subject of freedom, examining how the arts can both challenge and capitulate to oppressive power structures. Kumar questions, “How, during the times of fascism, does one maintain morality? Where does the line get drawn?” These inquiries form the play’s backbone, urging audiences to confront similar dilemmas in modern contexts.
For Kumar, the play’s themes resonate personally. Traditionally known for his grandiose and vibrant theatrical expressions, he embraces a marked departure with “Taking Sides.” This time, the focus shifts to classical realism, prioritizing dialogue and intellectual discourse over physical performances.
. Kumar expressed a desire to produce a piece that challenges audiences and performers alike, noting, “I wanted my audiences to be divided, to create this dichotomy in their viewpoint.”
In a typical production, the audience’s seating arrangement in traverse mode — with the audience on opposing sides facing each other with the actors in the center — physically manifests the thematic divide. However, logistical constraints in Chennai necessitate a traditional setup.
Throughout its creation and subsequent iterations, the play has undergone rigorous script editing to ensure clarity while maintaining historical authenticity. In preparing the cast, Kumar encouraged a vibrant exchange of ideas and passionate discussion. Tasked with portraying Furtwangler himself, Kumar guided his team through a nuanced exploration of their characters’ motivations and allegiances. “We must keep the audience oscillating; it’s essential they leave the auditorium debating those ideas and concepts,” he stated, emphasizing the play’s intent to provoke thought and dialogue.
The journey of “Taking Sides” from conceptualization over Zoom calls during the lockdown periods to live performances echoes the dynamic transformation of audience perceptions over time. The play’s challenging themes have sparked evolving reactions, with contemporary audiences being notably more vocal and receptive. Kumar observes, “People are more comfortable expressing themselves now. We’re less apprehensive about discussing these issues.”
Audiences in Chennai can witness this compelling production on October 19th at Medai, Alwarpet, with tickets available on BookMyShow for ₹499. As “Taking Sides” invites its viewers into an introspective examination of freedom, loyalty, and morality, it underscores the enduring power of art as both a mirror and a mediator of our times.
