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Censor Board Contingent on Cutting Scenes for Kangana Ranaut’s ‘Emergency’ Bombay HC Informed


In a recent development, the Central Board of Film Certification (CBFC) informed the Bombay High Court on Thursday that actor-politician Kangana Ranaut’s movie, “Emergency,” will be granted a certification only after the required edits and cuts, as recommended by the CBFC’s Revising Committee, are implemented. The movie, which has generated considerable attention, is currently awaiting its final certification, and this latest turn of events has added another layer of complexity to its release.

A Division Bench of Justices B.P. Colabawalla and Firdosh Pooniwalla directed an inquiry to CBFC representative, advocate Abhinav Chandrachud, asking, “Please give us some good news.” To this, Mr. Chandrachud responded, “CBFC’s Revising Committee has suggested certain cuts in the film. If the same are made, the film can be released.”

Senior counsel Sharan Jagtiani, representing Zee Entertainment Enterprises, requested the Bench to defer the hearing. He argued that the adjournment would provide ample time to determine whether the suggested cuts by the CBFC’s Revising Committee could be feasibly implemented. Consequently, the Bench rescheduled the hearing for further deliberation on September 30, 2024.

Kangana Ranaut, who has taken on the roles of director, co-producer, and lead actor in “Emergency,” is striving for the official release of the censor certificate. In previous court proceedings, the filmmakers claimed that although they were notified about the film’s certification on August 29, 2024, the CBFC intentionally delayed issuing a physical copy of the certificate. The release of “Emergency” was initially set for September 6, 2024, creating an urgent timeline for resolution.

Adding another layer to this issue, during the last hearing on September 19, the filmmakers informed the Bench that Ms. Ranaut, now serving as a Member of Parliament from Mandi since June 2024, is experiencing significant challenges due to actions purportedly taken by her own party, the Bharatiya Janata Party (BJP).

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. The filmmakers alleged that the release of the movie is being strategically delayed until after the Haryana state elections in October to mitigate any potential controversies during the election period.

The Division Bench expressed significant displeasure over the delay in granting the release certificate, emphasizing the importance of timely processing, especially for a project of this magnitude and public interest.

The movie “Emergency” dives into a crucial and turbulent period in Indian history, concentrating on the Emergency period imposed by former Prime Minister Indira Gandhi from 1975 to 1977. Given its political context, the film was expected to stir discussions and debates, which is likely a contributing factor to its careful scrutiny by the CBFC and the judiciary.

CBFC’s Revising Committee, responsible for suggesting edits and cuts, typically steps in when there is a dispute between the filmmakers and the initial examining committee. Their involvement underscores the multiple levels of vetting that “Emergency” is subject to before it can reach audiences.

The filmmakers argue that the repeated delays and requests for cuts are dampening the essence and historical accuracy of their work. They posit that the political nature of the movie should be preserved to maintain its integrity and purpose. Moreover, they underline the urgency given the public interest and potential educational value of bringing such a historic narrative to the big screen.

On the flip side, the CBFC holds the view that certain sensitive content might ignite unnecessary controversy or legal challenges, especially given the politically charged period the film portrays. They stand firm on their recommendations, insisting that moderation and caution are essential for content that is as sensitive as that which “Emergency” presents.

The upcoming hearing on September 30, 2024, will be pivotal in determining the immediate future of “Emergency.” With stakeholders eagerly awaiting the decision, the hearing promises to be a critical juncture in the movie’s journey to the theatres.

As the situation develops, it remains to be seen how Kangana Ranaut and her team navigate these legal challenges and what adjustments, if any, will be made to bring “Emergency” to the silver screen. This ongoing legal drama illustrates the intricate relationship between cinema, political content, and regulatory oversight in India.

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