
Dinjith Ayyathan, the emerging Malayalam filmmaker, has been riding high on waves of success and recognition. In a recent series of interviews, Ayyathan shared his exhilarating journey following the release of his film “Kishkindha Kaandam.” The movie has garnered widespread acclaim for its unique storytelling and compelling narrative, making the past week one of immense satisfaction and pride for the director.
“I had manifested the movie’s success to such a level that it might sound ambitious for others. But, we were confident about the product and I was sure about making my mark as a filmmaker,” Dinjith Ayyathan confessed, reflecting on the arduous journey to his film’s success.
“Kishkindha Kaandam” is a layered, slow-burn thriller that delves deep into the intriguing lives of its characters. The plot revolves around Appu Pillai, portrayed by Vijayaraghavan, a cantankerous retired army man, his son Ajay Chandran (played by Asif Ali), who works for the Forest Department, and Ajay’s wife, Aparna (Aparna Balamurali). This trio lives in an ancient, imposing house surrounded by lush greenery near a monkey-populated reserve forest. Aparna’s discovery of unsettling secrets about her father-in-law and husband becomes the catalyst for the unfolding mystery, leaving audiences spellbound.
The film’s release timing played a significant role in its success. “An Onam release is special. The film was supposed to reach theatres early this year but had to be pushed when a couple of Asif’s movies got delayed. Making it a festival release was Joby chettan’s (producer Joby George Thadathil) decision,” Dinjith revealed. Despite advisories against releasing during a competitive festival season, the producer stood firm, believing the film was a personal investment worth the risk.
“Kishkindha Kaandam” also marks a significant milestone in Dinjith’s filmmaking career that started with his 2019 film “Kakshi: Amminipilla.” Despite the initial lukewarm reception, “Kakshi: Amminipilla” caught the public’s attention late, motivating Dinjith and his team to intensify their promotional efforts. The core team, including cinematographer Bahul Ramesh and editor Sooraj ES, continued their collaboration in “Kishkindha Kaandam.”
Bahul Ramesh, who also penned the screenplay, created a narrative hailed as one of Malayalam cinema’s finest.
. “Emotions run high in the narrative with no relief for the audience. It was important to keep those emotions in the right measure,” shared Dinjith, highlighting the challenge of maintaining consistency in performances, especially since sequences were not shot in chronological order. The director also emphasized Bahul’s dual role as a blessing, as his deep understanding of the script facilitated seamless filmmaking.
A notable artistic decision for “Kishkindha Kaandam” was the absence of songs, replaced instead by an evocative soundscape by Mujeeb Majeed. His composition, including the promo track “Doore doore” with Tibetan lyrics, became an intrinsic part of the movie, enhancing its atmospheric tension.
Casting played a pivotal role in bringing the film’s characters to life. Dinjith recalled an insightful conversation with the veteran filmmaker Fazil, underscoring the importance of judicious casting. The ensemble cast, featuring talents like Vijayaraghavan, Asif Ali, Aparna Balamurali, and others, delivered commendable performances. Dinjith particularly praised Vijayaraghavan for his nuanced portrayal, which required minimal direction, as well as Asif Ali, whose evolving artistry enriched the film.
The production faced numerous delays and challenges, from securing the ideal shooting location to handling sequences involving monkeys. “We spent a whole day at Athirappilly for the shots and ended up with a five-hour footage,” Dinjith recalled, underscoring the meticulous effort that went into the film.
Transitioning from a career in animation to filmmaking, Dinjith’s journey has been one of relentless pursuit of passion. Despite opportunities to move abroad, he chose to stay in India, eventually transitioning from animation and VFX work on notable films to full-time filmmaking. His association with mentor Abrid Shine and actor Dulquer Salmaan facilitated critical connections within the industry.
Reflecting on his experiences, Dinjith shared a poignant moment involving his father, who played a small role in the film. After their last meeting, his father gifted him a vintage watch and they shared an emotional hug—the first in Dinjith’s memory. “That was special,” he said, encapsulating the personal and professional triumphs brought about by “Kishkindha Kaandam.”
With his film being celebrated both critically and commercially, Dinjith Ayyathan stands poised as a noteworthy talent in Malayalam cinema, driven by passion, precision, and a bold vision for storytelling.










