The entertainment industry finds itself embroiled in a compelling controversy, as Divya Khossla Kumar confronts Alia Bhatt amid claims that Bhatt’s recent feature, ‘Jigra,’ allegedly bears an uncanny resemblance to Kumar’s previous release, ‘Savi.’ With ‘Savi’ having made its debut directly through the OTT platform, the parallels drawn by Divya have sparked significant media speculation and public discourse.
Background dynamics indicate that the root of this contention lies with ‘Savi’ producer Mukesh Bhatt, who secured the adaptation rights of ‘Next Three Days,’ a 2010 film starring Russell Crowe. Notably, this film was a reimagined version of the French thriller ‘Anything For Her’ (2008). Kumar’s allegations suggest that these thematic elements are mirrored unfairly in Alia Bhatt’s ‘Jigra,’ a point which she passionately echoed via her social media channels.
Adding fuel to the proverbial fire, Divya Khossla Kumar shared her experiences attending a screening of ‘Jigra’ at a prominent Mumbai theatre, only to find the auditorium virtually deserted. Sharing a poignant image from the empty theater, she remarked, “Went to Citi Mall PVR for the ‘Jigra’ show. The theatre was totally empty. All theatres are going empty everywhere. Alia Bhatt mein sach mein bahut Jigra hai. Khud hi tickets kharide aur fake collections announce kar diye.” Such bold statements highlight her critique of the media’s apparent silence and the reported box office performance discrepancies for Bhatt’s film.
In examining these claims, it’s vital to contextualize this feud within the broader landscape of Bollywood, where such script and originality issues occasionally arise. Intellectual property remains a nuanced subject within cinematic artistry, often drawing fine lines between inspiration and imitation. This ongoing situation not only raises pertinent questions about the creative process in the film industry but also highlights the complexities faced when multiple productions appear to tread similar narrative grounds.
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Meanwhile, on different fronts within the Bollywood sphere, the industry remains abuzz with various engaging projects and new releases. For instance, the creators of ‘Bhool Bhulaiyaa 3’ are diligently working to maintain suspense and intrigue. Director Anees Bazmee has reportedly shot two distinctive climaxes for this anticipated horror comedy, which stars a high-profile ensemble cast featuring Kartik Aaryan, Triptii Dimri, Madhuri Dixit-Nene, and Vidya Balan. Bazmee shared, “We shot two climaxes, and even the production members don’t know which one I’ll be using in the final cut.” Such an approach enhances anticipation and curiosity about this film’s eventual release.
Further intriguing developments include the joyful embrace of new parenthood by actor-designer Masaba Gupta and Satyadeep Mishra, as they recently celebrated the birth of their daughter earlier this month. In a heartwarming announcement shared via Instagram, the couple’s excitement and gratitude were palpable.
Simultaneously, celebrated director Anil Sharma capitalized on Dussehra to announce his next venture titled ‘Vanvaas,’ starring Nana Patekar and Utkarsh Sharma. This ambitious project promises to delve into explored yet complex themes of duty, honor, and their consequential impacts. Originally called ‘Journey,’ this film draws narrative inspiration from the concept of ‘Ramayana,’ providing a distinct perspective where children influence their parents’ forced exile.
In yet another burst of exciting news, the mega-star Ram Charan gears up for an electrifying start with his film, ‘Game Changer,’ scheduled for a Makar Sankranti release. His father, megastar Chiranjeevi, facilitated this release plan by rearranging schedules with producers of his movie ‘Vishwambara.’ Game Changer’s producer Dil Raju elucidated, “Since we have been working with a massive budget for over three years, we needed a date that would allow the film to reach a wide audience.”
In conclusion, as Bollywood continues to capture global attention with exciting cinematic offerings and personal stories, the dispute between Divya Khossla Kumar and Alia Bhatt over ‘Jigra’ and ‘Savi’ unfolds as a captivating saga of intrigue and conflict. As the narrative continues to evolve, it underscores the complexities of creativity and intellectual rights within the dynamic landscape of film-making.
