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Kangana Ranaut Agrees to Censor Board’s Suggestions for ‘Emergency’: High Court Informed


In a significant development concerning the release of the much-anticipated biographical drama “Emergency,” the Central Board of Film Certification (CBFC) informed the Bombay High Court on Monday that actor-producer Kangana Ranaut has agreed to the cuts suggested by the board in her film. This announcement comes amid ongoing legal and political drama surrounding the certification of the film, which has faced objections on multiple fronts.

The legal battle is spearheaded by Zee Entertainment Enterprises, co-producer of the film, which filed a petition seeking a direction from the court to the CBFC to issue a certificate for the film. The petition was being heard by a division bench of Justices BP Colabawalla and Firdosh Pooniwalla.

The film “Emergency,” directed and co-produced by Kangana Ranaut, who also plays the lead role of former Prime Minister Indira Gandhi, was initially set for release on September 6 but has been delayed due to the tussle over certification. Ranaut has been vocal about her frustrations, accusing the CBFC of stalling the certification to intentionally delay the film’s release, a claim that adds another layer of complexity to the issue.

The movie has also stirred controversy due to objections from some Sikh organizations, including the Shiromani Akali Dal, which accused the film of misrepresenting the Sikh community and distorting historical facts. These objections have further complicated the path to the film’s release.

Representing Zee Entertainment, advocate Sharan Jagtiani informed the court that Kangana Ranaut had agreed to make the necessary cuts as suggested by the CBFC. He stated that the matter had been thoroughly discussed and agreed upon between Ranaut and the CBFC. However, he also pointed out that Zee Entertainment needed some additional time to confirm the specific cuts that would be made.

CBFC’s counsel Abhinav Chandrachud reassured the court that the suggested cuts would not significantly affect the length or the integrity of the film. He noted that the changes had been largely agreed upon by Manikarnika Films, Ranaut’s production house.

The court has adjourned the matter until October 3 and has asked both parties to seek proper instructions to facilitate the resolution. The court’s decision to delay further discussions until October 3 implies a degree of judicial oversight to ensure fair play in the matter.

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Zee Entertainment, in its plea, alleged that the CBFC had already prepared the certification but was hesitating to issue it, ostensibly due to political reasons. The plea also mentioned the upcoming elections in Haryana, suggesting that political factors might be influencing the delay in certification.

Intriguingly, the bench expressed perplexity over why the ruling party would act against Kangana Ranaut, who is herself a Member of Parliament from the Bharatiya Janata Party (BJP). This sentiment was echoed multiple times during the hearing, bringing the political nuances of the case into sharp focus.

The drama surrounding “Emergency” is emblematic of the broader tensions between artistic freedom and regulatory oversight in India’s film industry. Ranaut, known for her fierce and outspoken personality, has often found herself at odds with various institutions, adding an additional layer of intrigue to this case.

The film itself, a biopic on Indira Gandhi, has already generated considerable interest and controversy even before its release. The objections from Sikh organizations center around allegations that the film misrepresents their community and historical events, which they argue could have serious repercussions.

The CBFC, tasked with balancing artistic expression with social sensitivity, finds itself in the crossfire of this high-stakes battle. While it aims to ensure that films adhere to social norms, it also faces criticism for allegedly succumbing to political pressures.

As the court proceedings continue, the outcome will not only determine the fate of “Emergency” but could also set a precedent for how future films dealing with sensitive and controversial subjects are handled by the certification board. The adjournment until October 3 gives both Zee Entertainment and the CBFC a window to iron out differences, but it also prolongs the uncertainty surrounding the film’s release.

In the meantime, cinema enthusiasts, political analysts, and the involved parties will be closely watching the developments, adding another chapter to the ongoing saga of “Emergency.” The resolution of this matter holds implications not just for this film but for the larger dialogue on censorship, artistic freedom, and political influence in India’s entertainment industry.

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