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Kangana Ranaut Criticizes Bollywood for Silence on Her Upcoming Film “Emergency”


New Delhi: The ever-controversial Kangana Ranaut, known for her audacious statements and fierce opinions, has once again directed her ire towards the Bollywood fraternity. This time, her criticism stems from what she perceives as a collective silence over her forthcoming release, “Emergency,” a film that delves into the life of Indira Gandhi, India’s former Prime Minister.

In a recent interview with Mashable India, Ranaut did not hold back in voicing her displeasure. She labeled Bollywood as ‘zehrila,’ meaning poisonous, accusing its members of being envious and deliberately ignoring her work. “These people are extremely envious and venomous. But look at Anupam Kher and Shreyas Talpade; they should be appreciated for their genuineness. You invite them courteously, and they come without any qualms. Not once have I seen them refuse to support commendable work, irrespective of who it belongs to,” she said, pouring praises on the veteran actor and her fellow co-star in “Emergency.”

In the interview, Ranaut delved deeper into her frustrations with the industry’s attitude towards fitness and hard work. She remarked sarcastically about actors who believe going to the gym equates to real hard work. “Look at these people. They are hiding because ‘Emergency’ is coming out and they don’t want to say anything about it. They are filled with such venom, such envy… because they’ve had things handed to them easily. They think going to the gym is hard work! True hard work is for your character, it’s how you exercise your integrity, strength, and emotions,” she elaborated.

Known for her outspoken nature, Kangana Ranaut has quite a history of calling out Bollywood for what she perceives as its lack of recognition for genuine talent. In various interviews, she has repeatedly called the industry a “hopeless place” filled with gatekeepers who hinder the careers of deserving artists.

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Continuing her denunciation, she highlighted how Bollywood has often excluded her, despite her contributions. “In this industry, true acknowledgment escapes you unless you are part of some cliques. I’ve praised many good films, irrespective of whose they were, but when it comes to my work, it’s met with a wall of silence. That speaks volumes about their character,” she emphasized.

Ranaut’s critique of Bollywood’s culture of envy isn’t new. She has consistently pointed out what she terms the unfair treatment meted out to her and others who, in her opinion, do not conform to the industry’s cliquish tendencies. This has made her a polarizing figure – celebrated by some for her authenticity and feared by others for her unfiltered candor.

Aligning her new film “Emergency” with her broader critique, Ranaut poses an implicit challenge to Bollywood. By taking on the role of one of India’s most pivotal political figures, Indira Gandhi, she steps into a narrative that is bound to stir emotions and discussions. Yet, her frustration lies in the preemptive silence – an intentional sidestepping by her peers who, according to her, should have been the first to lend their voices in support or critique.

“Emergency,” which charts the political landscape and personal intricacies of Indira Gandhi’s life, promises to be as provocative as Ranaut herself. It is not merely a biopic; it’s an exploration of a defining era in Indian history, one that comes with its own share of controversies. The lack of dialogue from Bollywood, as Kangana perceives, is a manifestation of a deeper malice – a ‘zehrila’ industry unwilling to embrace her narrative.

In conclusion, Ranaut’s outburst is not just an isolated instance of her venting out steam. It reflects a broader discontent with an industry she is very much a part of, yet feels alienated from. Whether “Emergency” will break through this wall of silence and compel Bollywood to acknowledge her efforts remains to be seen. One thing is certain: Kangana Ranaut, with her unyielding spirit, continues to rattle Bollywood’s gates, demanding the recognition she believes is long overdue. Her criticism, laden with personal and professional grievances, paints a picture of an industry at crossroads – caught between tradition and the uncompromising voice of one of its most unconventional stars.

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