In an impressive feat for Indian cinema, the short film “A Lullaby for Yellow Roses,” directed by Kolkata-based Bengali filmmaker Rahul Roye, has been honored with the Best Social Justice Film award at the 19th Tasveer Film Festival and Market. This festival, notable as the only Oscar-qualifying event dedicated to South Asian cinema, took place recently and has since drawn global attention to Roye’s thoughtful and poignant storytelling.
The 18-minute film, produced by Abdullah Al Kandari, features gripping performances by actors Trimala Adhikari and Somnath Mandal. Set against the vibrant backdrop of Kolkata, the narrative explores the profound journey of an estranged migrant couple as they navigate their bereavement after losing a female child—a loss deeply intertwined with societal norms and prejudices. The film boldly addresses the painful reality of female feticide, treating the delicate topic with a blend of empathy and introspection. The audience has widely praised this sensitivity.
Roye, in an insightful conversation with The Hindu, emphasized the personal nature of the film’s theme, particularly highlighting the societal expectations surrounding gender and emotional expression. Identifying as gender queer, Roye expressed how these binaries have long posed a personal conflict. “Being gender queer, this topic is personal for me. I could never fit myself into the societal gender binaries,” Roye shared. The filmmaker believes that societal constructs, like gender, often act as tools of power and control. Similarly, they argue that grief too, is subjected to these gendered expectations.
A poignant visual representation of this theme is depicted in the film, where a man grapples with the inability to express his sorrow openly—even in the presence of his wife—due to the underlying pressure to conform to traditional male stoicism.
. Roye elaborates, “The story started developing when my producer got in touch with me because he wanted to make a film on ‘grief’ and how grief can work as glue between two souls.”
The film’s journey began with the collaboration between Roye and Kandari and evolved into an evocative piece that not only addresses grief but also the inherent issues of gender expression. This creative process has not just stayed confined to the thematic exploration of the film but has transcended cultural boundaries, as evidenced by “A Lullaby for Yellow Roses” being showcased at more than 87 prestigious film festivals worldwide. Among these are the Oscar and BAFTA-qualifying Flickerfest Australia, the Brussels Short Film Festival, and the London Short Film Festival, further solidifying its international impact.
Roye is no stranger to critical acclaim, having previously helmed a notable queer film titled “Man & Wife.” In that narrative, the complexities and nuances of a nonbinary individual coming out to a soon-to-be bride within the context of an arranged marriage are explored, establishing Roye’s continued exploration of themes surrounding identity and societal roles.
Looking ahead, Roye is already immersed in developing a new project, further pushing the boundaries of cinematic storytelling through a trans lens. This upcoming short seeks to unravel the intricacies of what it means to be an Indian man, set against the backdrop of evolving gender identities. Currently in pre-production, the film marks Roye’s dedication to illuminating diverse stories that challenge conventional narratives.
As “A Lullaby for Yellow Roses” continues to captivate audiences and bring attention to pressing social issues, the response received at the Tasveer Film Festival indeed reflects a broader appreciation for films that do not shy away from tackling difficult and neglected societal topics. The recognition at this Oscar-qualifying platform not only honors the film’s message but also highlights the importance of sharing diverse stories, propelling South Asian cinema to greater heights on the global stage.
This accolade positions Rahul Roye as an influential voice in contemporary cinema, committed to challenging perceptions and inspiring discussions through compelling visual narratives. As the film continues its festival circuit, its impact and reach are expected to grow, fostering conversations around gender, grief, and societal expectations—critical dialogues much needed in today’s world.
