Amazon MGM has secured the rights to the upcoming zombie comedy, “I Used to Eat Brains, Now I Eat Kale”. This highly anticipated film, expected to hit the market in June, will be produced by the acclaimed actor Ryan Gosling in collaboration with producer Jessie Henderson. According to The Hollywood Reporter, the film will be the first project under the duo’s banner General Admission, thanks to a first-look deal with Amazon.
The screenplay will be penned by twins Adams and Daniel Cooper, who are the original authors of the 42-page short story that inspired the film. Their unique narrative takes place in a “post-post-apocalyptic” world, a setting that brings a fresh perspective to the often overexploited zombie genre. In this story, former zombies face the challenge of reintegrating into society, a concept that promises both humor and thought-provoking commentary.
Gosling, who is known for his roles in a wide array of genres, from romantic dramas to action-packed blockbusters, will not be playing the lead role in this film. Despite this, his involvement in the production process demonstrates his versatility and commitment to exploring new and innovative stories. Gosling’s recent high-profile projects include starring in Universal’s “Fall Guy” and upcoming work on Phil Lord and Chris Miller’s “Project Hail Mary”, which also involves Amazon MGM.
The entertainment industry is abuzz with speculation about who will take up the director’s role for “I Used to Eat Brains, Now I Eat Kale”. The film’s unique premise and comedic potential make it a prime opportunity for an innovative filmmaker to rise to the occasion. As of now, no official announcement has been made regarding the film’s director.
The decision to produce a zombie comedy reflects a growing trend in Hollywood to blend genres and offer audiences something different from traditional narratives. The focus on former zombies trying to reintegrate into society brings a new layer of depth to the zombie trope, often characterized by relentless pursuit of human brains. Instead, this film flips the script, following characters who have transitioned from being undead predators to live beings with a penchant for healthier, more modern diets like kale.
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This storyline also allows for a variety of social commentaries to be explored within the realm of comedy. Issues such as identity, acceptance, and societal reintegration can be tackled in a humorous yet meaningful way. The transition from “brains” to “kale” could symbolize broader changes and adjustments that individuals, former zombies in this case, must undergo to fit back into a socially acceptable mold. And with Gosling and Henderson leading the charge, the film already has some significant Hollywood clout behind it.
Gosling has shown a marked interest in producing along with acting, as evidenced by his involvement with General Admission. His previous production credits include projects like “Lost River”, which he wrote, directed, and produced. Partnering with Jessie Henderson, a seasoned producer known for her work on popular comedies, ensures that “I Used to Eat Brains, Now I Eat Kale” will benefit from a blend of creative visions and practical experience.
The twin duo of Adams and Daniel Cooper brings a fresh perspective to the writing of this film. Their short story caught the attention of the Hollywood elite, which is no small feat. As newcomers to the big screen, their involvement brings an element of unpredictability and originality, potentially breathing new life into the often formulaic zombie genre.
In conclusion, “I Used to Eat Brains, Now I Eat Kale” promises to be an exciting addition to the slate of upcoming films. With Amazon MGM’s backing, Ryan Gosling and Jessie Henderson’s production expertise, and a story that offers a novel twist on zombie narratives, audiences are in for a treat. The film’s planned release in June cannot come soon enough for fans eager to see how this innovative concept translates to the big screen. As the entertainment world waits in anticipation, the success of this unique zombie comedy could mark a new chapter in genre-blending storytelling.
