Sonu Sood, widely recognized for his on-screen presence, reveals yet another facet of his indomitable talent – screenwriting – as he gears up for his latest cinematic feat. Prepped to don the hat of an actor, producer, and director, Sood is buoyed by the positive reception to his directorial debut ‘Fateh’ and has already begun scribing his next action-packed tale, interlaced with romance. Although ‘Fateh’ has not premiered yet, the preliminary accolades have spurred numerous film direction offers, further nudging him to embark on this new script-writing journey.
Sood’s inclination toward story-weaving stems from his late mother, Saroj Sood, who, he fondly recalls, believed firmly in his narrative abilities urging him to continually engage with writing. This maternal reinforcement seems to be the cornerstone of his creative expansions. Beyond performing, Sood envisions a universe wrapped in his words, curated by his directorial vision, and delivered with his histrionic vigor. A personal tribute and a professional challenge intertwine, fueling his passion for cinema that transcends conventional roles.
Currently juggling multiple projects, Sood remains undaunted, sketching a comprehensive timeline for his upcoming ventures. Post-production duties for ‘Fateh’ top his to-do list, targeting a release by year’s end, thereafter setting the stage for the commencement of his next—still unnamed—project by early 2025. Amidst these plans lies a cybercrime thriller featuring Jacqueline Fernandez, a project forecasting an upcoming stint in the United States, where Sood will delve into the movie’s background score composition. Action director Lee Whittaker, linked with the project, offers his endorsement, lauding it as one of his best undertakings. Streamlining of Sood’s schedule hinges on the swift completion of ‘Fateh’s pending work, paving way for the American action sequence shoots for his future script.
Additionally, the multifaceted artist looks to infiltrate the Telugu film scene once more, adopting the lead in an upcoming film requiring a script touch-up at his request. The film’s production patiently awaits Sood’s availability post his commitments to ‘Fateh’. In the aftermath of the pandemic, the industry has signalled a pivot in recognition for Sood, now predominantly casting him in protagonist roles, a decisive shift from previously villainous portrayals—indicative of a positive sentiment that the actor welcomes.
Despite the burgeoning workload of a multitasking maven in Bollywood, Sood’s agility in transitioning between his roles of actor, writer, and director showcases his holistic embrace of the cinematic process. This reveals not only an evolution of his career but also offers a glimpse into the heartfelt encouragement from his mother that echoes triumphantly in his endeavors. The anticipation for what might unfold on the silver screen as a result of Sood’s literary and directorial execution is palpable among audiences and peers alike. Will this be the birth of a new renaissance man in Bollywood, or a reaffirmation of a versatile actor’s love for the storytelling craft?
Only time will unveil the tales Sood has brewing but one thing seems irrefutably clear: his trajectory in the world of cinema is charting a course bound for unexplored territories, seamlessly blending action, emotion, and narrative ingenuity—an adventure for both the creator and the spectator.
