In the cinematic landscape, a comedy’s ultimate goal is to leave its audience in stiches, yet Raaj Shaandilyaa’s latest film, “Vicky Vidya Ka Woh Wala Video,” achieves the exact opposite. As the film unfolds, it embarks on a downward spiral that leaves viewers scratching their heads rather than chuckling, a sentiment reflected in its dismal rating of 1.5 out of 5 stars. Starring the talented Rajkummar Rao and Triptii Dimri, this movie unfortunately transforms what could have been a lighthearted narrative into a distressing misstep.
Set against the picturesque backdrop of Rishikesh in 1997, the film follows the tumultuous journey of newlyweds Vicky (played by Rajkummar Rao) and Vidya (essayed by Triptii Dimri). Their married bliss is shattered when a CD, capturing their most intimate moments, falls into the wrong hands. What should unfold as a series of comedic escapades instead deteriorates into an overwhelming array of crude jokes and forced sentimental moments. This narrative is abruptly sidelined when Shaandilyaa pivots to deliver a clumsy public service announcement, awkwardly blending themes of privacy invasion and faux women empowerment.
The irony buried within “Vicky Vidya Ka Woh Wala Video” is that the film’s alleged commentary on women’s dignity starkly contradicts its execution. Writers Rajan Agarwal, Ishrat R Khan, and Yusuf Ali Khan, along with Shaandilyaa, infuse the screenplay with sexist undertones, objectifying women while simultaneously attempting to preach about their respect and honor. Such a paradox cannot be overlooked, nor can the director’s puzzling choice to imitate a loud, over-the-top comedic style filled with sleaze and extravagance that even ’90s comedies managed to circumvent.
Dialogue, a crucial component in the world of cinema, especially in comedic films, falls flat here. Simply setting the story in 1997 is no justification for deploying tacky lines and clichés. The film’s attempts at humor feel more suited to a stand-up comedy stage, entirely mismatched with the cinematic medium.
. Each character is loaded with so-called ‘funny’ lines, but the comedic timing and fluid delivery are conspicuously absent, resulting in a disconnect between script intent and audience response. The promising ensemble cast, including Mallika Sherawat, Tiku Talsania, Vijay Raaz, and Ashwini Kalsekar, inadvertently add to the film’s frustration rather than alleviating it with entertainment.
Amidst this disarray, Rajkummar Rao emerges as a glimmer of hope. Known for his impressive portrayal in “Stree 2,” Rao manages to maintain his charm and authenticity as the love-struck, carefree protagonist that captivates the audience despite the chaotic narrative. His capacity for delivering a nuanced performance without resorting to exaggeration serves as a testament to his versatility and strength as an actor. Unfortunately, his efforts are somewhat undermined by the film’s overall quality and the consistent discord evident in Triptii Dimri’s portrayal of Vidya. Her attempts to align with the film’s exaggerated tone often make her appear awkward and uncomfortable.
Curiously, the film contains nods to “Stree 2,” yet these references fail to elevate the experience and instead appear as dubious homage attempts. As the credits roll, accompanied by hints toward a possible sequel, one cannot help but hope filmmakers reconsider any continuation of this narrative.
In summary, “Vicky Vidya Ka Woh Wala Video” emerges as a bewildering mishmash of unreliable storytelling and lackluster humor, accentuated by an overarching theme that seems lost amidst its own contradictions. Where one expects to find laughter, they instead discover a film struggling to find its footing. Despite Rajkummar Rao’s earnest presence, the film is an uncomfortable display of missed opportunities. Whether through misguided humor or an unsatisfactory attempt at social commentary, viewers are left departing the theater wearing a frown rather than with the anticipated sense of levity and mirth.
