In the high-octane world of Tamil cinema, expectations tend to soar when star power and directorial prowess are combined. Director Venkat Prabhu’s latest venture, “The Greatest of All Time” (GOAT), featuring Vijay, begins with an exhilarating promise. The introductory scene sets the tone for a high-stakes mission, involving a covert team of agents led by Gandhi (played by Vijay). The mission is to thwart the villainous Rajiv Menon (portrayed by Mohan). Gandhi embodies the larger-than-life persona hinted at in the film’s title.
The opening sequence is a cocktail of action and stylistic flair, hallmarks of Venkat Prabhu’s craftsmanship. Yet, just as Gandhi is poised to take the final shot at Rajiv, he is interrupted by his friend due to unforeseen circumstances, a moment that encapsulates the film’s overarching plot. Such flashes of brilliance from Venkat and his team elevate this otherwise conventional narrative, amplified by impeccable fan service.
The plot revolves around Gandhi and his Special Anti-Terrorism Squad, which includes Sunil (Prashanth), Ajay (Ajmal), Kalyan (Prabhu Deva), and their leader Nazeer (Jayaram). These experienced agents are more than just patriots; they resemble ordinary office-goers, engaging in familiar office banter. Gandhi’s wife, Anu (Sneha), represents the domestic tensions that arise when work disrupts personal life. As with any action thriller, the calm is but a prelude to the storm. Tragedy strikes, propelling the narrative from the year 2008 to the present day, where the film’s tempo escalates dramatically, turning into a gripping spectacle.
The casting in GOAT is undeniably its strongest asset. While some might argue that the roles border on glorified cameos, the ensemble feels akin to a Tamil version of the “Expendables” franchise. The familiarity with these seasoned actors engenders a sense of investment in their camaraderie and shared history, and they deliver stellar performances accordingly.
Despite the collective star power, it’s Vijay who dominates the screen, taking up dual roles as Gandhi and his son, Jeevan. Understanding this dynamic well, Venkat Prabhu ensures both characters have ample space to evolve and resonate with the audience. Both characters share a commitment to their loved ones, endure personal losses, and pursue a shared mission. This duality provides a platform where both the filmmaker and Vijay excel. As Gandhi, Vijay portrays a man burdened by the weight of responsibilities and grief, particularly poignant in a scene where he experiences a profound loss. However, it is Jeevan who frequently steals the show, allowing Vijay to tap into the youthful exuberance that fans have long adored. Avoiding spoilers, it’s safe to say that this role sees Vijay succeed in a way he rarely has in the past.
.
When filmmakers listen to feedback and refine their work, the results can be remarkable, as seen with the Zack Snyder cut of “Justice League” or the improved portrayal in “Sonic the Hedgehog.” Similarly, after initial critiques of the de-aging VFX in GOAT’s promotional material, the production team revisited their work, delivering a much more credible young Vijay. This element is crucial to the film, and the creative risk has paid off significantly.
Yet, even the most sophisticated digital wizardry cannot cover up the film’s fundamental flaws. GOAT’s plot is disappointingly shallow, simple, and predictably executed, relying heavily on its star-studded cast to keep the audience engaged. If Vijay’s “Leo” made you think of several other films, GOAT will do the same. It echoes the themes of older films like “Rajadurai,” directed by Vijay’s father, S. A. Chandrasekhar. The core of GOAT is a straightforward revenge tale, and once the glitz wears off—as it inevitably will—the facade crumbles, revealing its lack of substance.
The action sequences, while plentiful, fail to excite. The musical score and background tracks are equally underwhelming. The antagonist, played by Mohan, suffers from poor characterization, and even his considerable talent cannot salvage the underwritten role. Women in the film, unfortunately, are relegated to being perpetual damsels in distress.
What ultimately works for GOAT is its unabashed dedication to fan service. The film keeps stakes relatively low and leans heavily on nostalgic references and homage to Vijay’s illustrious career. From nods to his past hits, iconic dance moves, to mannerisms and political innuendoes, GOAT is a treasure trove of pop culture references. Cameos and tributes abound, adding layers of excitement for the die-hard fans.
If you’re seeking a cutting-edge espionage thriller or a genre-specific entertainer akin to Venkat Prabhu’s previous works like “Maanaadu,” GOAT may disappoint. However, if you’re there to bask in the celebration of one of Tamil cinema’s most beloved stars—displaying the full spectrum of his iconic style and presence—the ticket is worth every penny. Despite its drawbacks, much like a lion, Vijay’s star power remains untamed and compelling.
“The Greatest of All Time” is currently captivating audiences in theatres.
